These Boots were Made for Inspiring.

CAUTION: Proceed at your own risk if you dislike smiling, laughing, dancing, and all around feeling good.

Eight times a week audiences leave the Al Hirschfeld Theatre feeling exhilarated. If you’ve not yet had the chance to experience the thrilling magic of Kinky Boots, or even if you have, here’s what inspires us most about this production:

They’ve inspired us to act better. ”You change the world when you change your mind.”

They’ve inspired us to do better. This spring, 6 one-of-a-kind personalities put on a pair of dazzling red boots, sharing what the musical’s message means to them and how they use their unique passions to help and inspire others.

They’ve inspired us to dress better. Have you seen the foot-wear in this production?!

Get tickets to see Kinky Boots on Broadway from $55 on TodayTix!

Another Openin’, Another Show

Ah August, the last of the Summer months; a time to relax and unwind.

But not on Broadway. 

With four musicals closing, and three brand new productions opening in their place, there’s a lot to see on the Great White Way this August.

Though we’re sad to see these shows go, we’re excited to have an excuse to see them one last time! 

Violet (Closing August 10)



Rocky (Closing August 17)



Newsies (Closing August 24)



Bullets Over Broadway (Closing August 24)



And don’t forget to check out the three shows opening this month on Broadway: 

This is Our Youth (Opens in Previews August 18) Starring Michael Cera, Kieran Culkin, and Tavi Gevinson.

You Can’t Take it With You (Opens in Previews August 26) Starring James Earl Jones, Kristine Nielsen, Alice Sycamore, Rose Byrne, Annaleigh Ashford, Elizabeth Ashley, and Byron Jennings.

It’s Only a Play (Opens in Previews August 28) Starring Matthew Broderick, Nathan Lane, Megan Mullally, F. Murray Abraham, Stockard Channing, and Rupert Grint.

Get tickets for all these shows and more on TodayTix!

The Broadway Boogie

We’ve all been there: your favorite song plays in a public place and you don’t know whether or break out and boogie or keep the dancing to a toe tap.

Luckily, when this happens during a Broadway show, everyone in the audience is feeling the same way.

Here’s the 10 steps you’ll undoubtedly go through re-living your favorite songs on Broadway:

1. Head bopping.


2. Toe tapping.


3. Shoulder swaying.


4. Seat samba.


5. Stifled shimmy-ing.


6. Full body boogie.


7. Passionate singing.


8. Irrepressible joy.


9. Utter bliss.


10. Beyoncé.


Listen to your favorite songs and get down and boogie at Rock of Ages, Mamma Mia, and Motown the Musical with tickets from just $59 this week on TodayTix.

Summer in the City

Fireworks, barbecues, and fireflies are so last year, Times Square is the place to be this Summer. Here are a few reasons why:

1. The Naked Cowboy. Now that it’s warmer, he is out and about everyday in all his, er… glory.


2. Mister Softee! Since, they’re practically on every other corner, you’ll never be far from their frosty goodness.


3. Broadway in Bryant Park. Right around the corner from Times Square, you can see your favorite performers from Broadway and Off-Broadway for free each Thursday this Summer at Broadway in Bryant Park!


4. And lastly….Broadway! See the shows you’ve been dying to see this Summer with TodayTix. We’ve got you covered this Summer with discounts to your favorite shows up to 60% off!


Lessons we Learned from Broadway Shows this Season: PART II

Last month we shared with you some very meaningful lessons we had learned from Broadway shows like Rocky, Les Misérables, and Aladdin.

But there’s still such wisdom happening on Broadway, we knew we just had to bring you a PART II.

So without further ado, here are the Lessons we Learned from Broadway shows this Season (PART II):

The Cripple of Inishmaan

- Don’t underestimate people, no matter what they may look like.


- Coming of age can be a difficult (read: awkward) time in anyone’s life.


- Daniel Radcliffe will always be the most adorable, even as a frail young man with a limp…who loves cows.


A Gentleman’s Guide to Love and Murder

- Blood is thicker than water? Think again.


- When your fiancée proposes to you…make sure your lover isn’t in the next room.


- You can’t always trust a gentleman.



- It’s impossible to predict where life will lead you.


- Every experience you have leads you to the next opportunity or open door.


- Idina’s voice = life.


Get tickets to The Cripple of Inishmaan, A Gentleman’s Guide to Love and Murder, and If/Then, on TodayTix!

Happy Father’s Day

Whether they’re teaching, protecting, scolding, or trying to create a better life, they do it all while singing! Here are some of our favorite Broadway Dads in musicals.

Happy (early) Father’s Day!

Mamma Mia (2001)

The Lion King (1997)

Annie (2012)

Fiddler on the Roof (1964)

The Sound of Music (1965)

The Little Mermaid (2008)

Hairspray (2002)

Bye Bye Birdie (1963)

A Funny Thing Happened on the Way to the Forum (1966)

Les Miserables (1998)

Treat the Dad in your life to a Broadway show this weekend with TodayTix!

Behind the Scenes: Les Miserables’ Caissie Levy

We caught up with the lovely Caissie Levy who currently stars as Fantine in the Broadway revival of Les Miserables.

We discussed everything from her experience performing in Les Mis to what advice she has for young artists (which won’t cost you $500!)


Congratulations on the all the success so far for Les Miserables! What was it like when you first started rehearsal as Fantine? How do you like to begin preparing for a role?

Thank you very much! Starting rehearsals for Fantine in Les Mis was totally surreal. Les Miserables was the first musical I ever saw (Original Toronto company, when I was eight years old!) and I was mesmerised. To be cast years later as Fantine in this huge re-imagined revival was actually a dream come true, as Les Mis was the show that made me want to be an actor. As far as prep went, I avoided the film and old recordings of past Fantines, and instead studied the novel and did a lot of research on prostitution and the plight of poor women in general from that time period. It helped tremendously in understanding Fantine’s swift descent into devastating circumstances.

If you could play any role, regardless of age or gender in any Broadway revival, who would you choose and why?

That’s a great question — there are so many! The first one that springs to mind is Trina in Falsettoland. I’d LOVE to play that role in a few years. The role’s got everything - both comedic and dramatic elements - along with some gorgeous songs, and a story that I’ve always loved and been inspired by. I innately understand so many of the key elements of that story, and I adore Bill Finn’s stunning score.

You were last seen on Broadway in the new musical, Ghost, based on the famous film. Do you find any difference between performing never before heard music, like in Ghost, vs. the classics, like in Les Miserables?  

There’s a huge difference, definitely. With Les Mis, the audience members mostly know (or think they know!) what they’re getting into when they buy tickets to the show. With Ghost, they had no clue other than their preconceived ideas from the film, and the pedigree of the brilliant rock stars, Glen Ballard and Dave Stewart, who wrote the score. As an actor, you always hope the audience comes into the theatre with fresh eyes and open hearts, but ultimately you can’t control their experience. The only thing that’s ever in my control is singing the score to the best of my ability that day, and hoping that the audience is moved.

What was it like putting together your debut album With You? With so many songs in your repertoire, how did you choose which ones to include?

It was incredibly exciting to make With You. Making a solo album was a long time coming for me, and I wanted to be sure it reflected my musical taste, and that it didn’t just sound like a vanity project where I just recorded covers from musicals for the hell of it. It was very important to me that it encompassed and highlighted what makes me and my voice unique - the pop/rock/folk qualities that I’m known for. We made it in a few weeks total between Ghost and Murder Ballad - insanely fast - but totally worth it. My collaborators on it were my fantastically talented music director, Matt Hinkely, and the folks at Yellow Sound. They were all incredible. Choosing the songs was tough. I knew that as soon as I started Ghost, I’d one day do a mashup of “With You” from Ghost and “Without You” from Rent (my first professional gig). Beyond that, I wasn’t sure. It was really fun to sit down with the incredible scores of the shows I’ve been fortunate to be part of, and listen for what songs might be interesting if stripped down and re-imagined.

There is also a song written by your husband, David Are, on the album called Out of the Blue. Besides the obvious, what draws you to his music and lyrics?

Yes! “Out of the Blue” is one of my all time favourite tunes of David’s. I was so excited he was into the idea of me doing an acoustic version, as the original version of that song is sort of trip-hop-y and electronic, and sung by our dear friend Gavin Creel. I think David’s voice as a writer is hands-down the most original I’ve come across in years. Yes, he’s my husband, but before he was my husband, David was just a guy I knew only from his awesome music. I’m lucky to be one of the actors in town who continually sings and records music of new writers, so I think I’m pretty well versed in the next generation of musical theatre writers. There’s so much talent out there, and so much exciting work being done. To me, what separates David Are’s writing, is that no one on the scene sounds like him. He fuses musical theatre storytelling with the accessibility of true top 40 pop music - electronica, hip-hop, and pop - in a way that no one else is doing right now.

As an actress who has toured, been apart of regional productions, and has landed in both Broadway and Off-Broadway houses, what advice would you give to younger performers who wish to call the theatre their home?

My main advice is get on stage. I did, and do, most of my learning by doing. These days, there’s so much information available to young actors, whether it’s drama schools, classes, masterclasses, websites, magazines, access to actors they admire via Facebook and Twitter etc, and they’re all valuable resources. But, they’re also all easy ways to get in your head, and forget that acting is doing. Being onstage and going to see theatre are the best ways to hone your craft. Learn what it is you like and don’t like by doing and seeing theatre. Start a scene study group with your actor friends, and get on your feet working on a play you love. You don’t need to spend $500 on a fancy class to have the chance to act and be creative. And above all, be a nice person. In my experience, no one wants to work with a super talented asshole. Be kind, be curious, and don’t wait for an invitation to make art.

Don’t miss your chance to see Caissie Levy in Les Miserables! Get tickets from just $57 on TodayTix.

‘Twas the night ere The Tonys, when all through the city
Not a creature was stirring, not even a kitty.
Our ballots were filled out with oh-so-much care,
Predictions were made on the clothes stars would wear.
As midnight approached, I took to my bed,
While box steps and time steps, danced round in my head.

Too excited for slumber I tried counting sheep,
But they turned into nominees who all praised and weeped.
Then out on the sidewalk, I heard such a racket,
I jumped out of bed and threw on my jacket.
I ran to the door, and looked by the trash,
To see what had happened that made such a crash.

The moon shone so bright on the man that was there,
And gave such a luster to his shiny coiffed hair.
I couldn’t believe who I saw then appear,
Hugh Jackman and some Tony stars from this year!
In a tight-fitting tux and perfectly tanned,
I felt slightly faint when I saw his jazz hands.

In a loud booming voice, he called out with glee,
And I couldn’t believe who else I did see.
"Now, Neil! now, Ramin! now Idina and Cranston!
On, Rylance! on, Audra! on, Kelli and Pinkham!
To the fire escape! To the top of the wall!
Now sing away! Dance away! Chassé away all!”

What happened there next, I still can’t believe,
It seemed they were all getting ready to leave.
But all of a sudden the actors transformed,
And began re-enacting the roles they perform.
No longer they stood just as actors before me,
but as Viola and Hedwig, and Billie and Rocky.

I chatted with Valjean, and riffed with Ms. King,
And Lyndon and I discussed the left wing.
Rocky gave me a right hook, and a big ol’ black eye,
But I felt so much better when Violet walked by.
I watched as Olivia chased Viola around,
And was awed by those heels, Hedwig never fell down.

But soon it was time for the gang to head home
And before I knew it, Hugh and I were alone.
I wished him good luck and we said our goodbyes,
I gave him a hug and then straightened his tie.
Replaying what happened as I laid down to rest,
I couldn’t believe I was so hashtag #blessed.

I heard him exclaim, as I turned out the light,
“Happy Tonys to all, and to all a good night!” 

(adapted from A Visit from St. Nicholas by Clement Clarke Moore)